James Blonde Brand Bond is back. Back to basics, that is. When I hear arguments about the best Bond, I always recall a quote about Sean Connery in the role, "He looked good in a tux, but also looked like he could beat the **** out of you." Daniel Craig is the first Bond since to truly live up to that standard. (He also doesn't do too badly in a pair of trunks, if the gasps from the three young women sitting next to us in the cinema are anything to go by....) Though I would've liked to have seen Clive Owen given a chance, unlike others I had no doubt that Daniel would do a great job in the role. Forget his woefully underused role in the first Tomb Raider movie, check out stuff like Layer Cake, and, if you can find it, the BBC series Our Friends In The North. If you haven't seen the movie yet, be aware there are spoilers below the fold. I will say this here though: this isn't a film for young children. It has a 12A rating in the UK, which means under twelves can see it with an adult. I read somewhere they trimmed it to get the 12A. I wish they hadn't, and even gone a bit further to get it a fifteen. The eight year-old in the row in front of us was in turn covering her eyes or complaining she was tired. I didn't have to cover my eyes, but they did start watering as...
...a nude Bond is strapped to a chair and his privates are whacked with a knotted rope. This Bond gets battered, beaten and almost killed on more than one occasion. The difference with this movie to previous Bond outings is that this Bond doesn't just shrug off the villains, dust himself down and leave with a quip. His scars show. This is just one example of the film's makers breaking with the old formula, as they strive to match the new benchmarks set by movies like the The Bourne series. Going even further than they did with Goldeneye to reinvent the character, they've gone back to the source material and started afresh. This Bond is closer to the character Ian Fleming envisaged. Cold, cruel, detached, in many ways not very likeable. The childish humour has gone, as has old standards such as Moneypenney and Q, though gadgets still abound. The action is spectacular, especially the chase through the construction site and Embassy near the beginning, which is truly breathtaking. Out too are the outlandish take over the world plots, and the main action is centred in the Casino Royale itself, as Bond plays a game of high-stakes poker with the main villian La Chiffre (a fourtutious bit of timing with the game's popularity exploding recently). The tension increases as Bond's fortunes rollercoaster thoughout the game, so much so that after he finally wins, what comes after does seem like an anti-climax, though necessary for the plot. That and the blatant product plugs (it seems the government has an exclusive contract with Sony, who just happens to be the owner of Columbia, the film's distributor) are the only gripes. Make no mistake, Bond is back. Roll on 2008.....
...a nude Bond is strapped to a chair and his privates are whacked with a knotted rope. This Bond gets battered, beaten and almost killed on more than one occasion. The difference with this movie to previous Bond outings is that this Bond doesn't just shrug off the villains, dust himself down and leave with a quip. His scars show. This is just one example of the film's makers breaking with the old formula, as they strive to match the new benchmarks set by movies like the The Bourne series. Going even further than they did with Goldeneye to reinvent the character, they've gone back to the source material and started afresh. This Bond is closer to the character Ian Fleming envisaged. Cold, cruel, detached, in many ways not very likeable. The childish humour has gone, as has old standards such as Moneypenney and Q, though gadgets still abound. The action is spectacular, especially the chase through the construction site and Embassy near the beginning, which is truly breathtaking. Out too are the outlandish take over the world plots, and the main action is centred in the Casino Royale itself, as Bond plays a game of high-stakes poker with the main villian La Chiffre (a fourtutious bit of timing with the game's popularity exploding recently). The tension increases as Bond's fortunes rollercoaster thoughout the game, so much so that after he finally wins, what comes after does seem like an anti-climax, though necessary for the plot. That and the blatant product plugs (it seems the government has an exclusive contract with Sony, who just happens to be the owner of Columbia, the film's distributor) are the only gripes. Make no mistake, Bond is back. Roll on 2008.....
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